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Zsolt Bátori: Photographic Realism, Transparency, and Perception​

​The Aristotelian Society and the Mind Association, 2012 Joint Session, University of Stirling, UK, July 8, 2012.

ABSTRACT. In this paper I consider an important aspect of photographic realism that is strongly connected to the debate over photographic transparency, and to the question of what types of processes are to be considered perception proper. Photographic transparency theory holds that in photographs we see the scene photographed as we see objects through eyeglasses or in mirrors. I discuss some of the major arguments for and against transparency, and then I argue that formulating a position first requires an explication of one’s position about the nature of perception (seeing). In order to show what decisions one must make to arrive at a position about seeing, I consider beings with perceptual systems more or less different from ours. This discussion not only enables us to see how relative our notion of photographic realism is to our specific visual capacities, but it also helps to explicitly formulate a position about what conditions one might or might not consider necessary for seeing. Although I do not argue for or against any of these specific conditions here, my considerations show through what steps the transparency debate may be resolved. This discussion also sheds some light on how to proceed when arguing for or against the (proper) perceptual status of specific perceptual mechanisms.


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